Matrox Electronic Systems Matrox RT.X2 User Manual Page 84
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Chapter 4, Setting Up Realtime Effects with Adobe Premiere Pro
luminance of your clip directly within the graph. For more information, see
“Using the luma mapping graph” on page 72.
$ Numerical Lets you adjust your luma mapping settings numerically by
entering values in the text boxes, or by dragging the corresponding sliders.
• Input Levels (Black and White) These controls let you fine-tune your
clip’s brightness and contrast by changing the luminance value that
represents black, white, or gray. Doing so expands or compresses the
range of luminance levels in your clip, which increases or decreases your
clip’s tonal range.
For example, by increasing the black value, you set black in your clip to
a higher luminance value, which compresses the luminance range and
darkens your clip proportionally.
• Output Levels (Black and White) These controls let you map the
values under
Input Levels to any level of black and white. You can
reduce contrast in your clip, or reverse the luminosity of your clip by
setting black to a higher value than white.
• Gamma Use this to adjust the midtones in your clip without adjusting
black or white.
•
Mask Allows you to apply a mask to your effect. For more information,
see “Applying a mask to your effect” on page 57.
•
Selective Key The selective key settings allow you to apply the color
correction effect to a specific range of pixels in your clip. Performing a
selective key is similar to performing a chroma or luma key, however, with a
selective key you are applying color correction to the keyed area instead of
transparency. For example, if you use the selective key properties to select
red as your
Hue color, the color correction will be applied to the red regions
in your clip. You can enable each keyer (
Hue, Saturation, and Luma)
individually, or enable all three at the same time to get the desired results.
$ Graphical Allows you to see a graphical representation of your changes
when you adjust the selective key
Numerical settings. You can also modify
the settings directly within the graph and perform an auto key. For more
information, see “Using the selective key graph” on page 79.
$ Numerical Lets you adjust your key settings numerically by entering
values in the text boxes, or by dragging the corresponding sliders.
• Hue Key This type of key lets you select areas to be keyed (affected by
the color correction) based on their hue.
$ Enable Select this to enable the Hue Key properties and hue key
indicator in the selective key graph.
$ Hue Use this to rotate the indicator around the perimeter of the color
spectrum so that you can select different hues (colors) on which to key.
- Matrox RT.X2 1
- Trademarks 2
- Contents 3
- Introducing Matrox RT.X2 9
- Welcome to Matrox RT.X2 10
- About this manual 11
- Other documentation 12
- Project panel, applying 14
- Adobe Premiere Pro 15
- Explorer 16
- VFW applications 17
- Panasonic P2 folder structure 18
- EZ-HDV AVI > Create 20
- Settings 23
- For Windows XP 25
- Loading project presets 26
- Setting up your scratch disks 27
- Events panel 27
- $ Matrox offline HD clips 28
- 2 Click the General tab 32
- Capture 41
- Project panel 42
- Recompress. This retains the 46
- Movie Start 53
- Setting Up Realtime Effects 57
- Available effects 58
- Premiere Pro 59
- Transforming your clip 60
- Figure 1: Offset at 0,0,0 61
- Figure 2: Offset at 100,0,0 61
- ). Precision Mode is 62
- Cropping your clip 63
- Using Select Crop 64
- Using Select Mask 66
- Using Split View 69
- Live Update 70
- 0 Default end point 71
- 1 Default end point 71
- Adjusting tonal range 73
- Using the color balance graph 74
- Reset Color 75
- Balance button 75
- Shadows 76
- Performing an auto balance 77
- °To perform a color match: 78
- Master 79
- Shadows color map 79
- 0 Input 80
- 1 Input 80
- 2 Output 80
- 3 Output 80
- Using the selective key graph 87
- 0 Hue 1 Aperture 2 Softness 88
- Auto Key affects values 90
- Creating a color pass effect 92
- Creating a 3D DVE effect 93
- • Top Left: Red 97
- • Top Right: Green 97
- • Bottom Left: Blue 97
- • Bottom Right: Orange 97
- Result of chroma key 99
- 3 Aperture 4 Luminance 103
- Creating a cube effect 106
- Creating a crystallize effect 109
- Click here to 110
- Creating a lens flare effect 116
- Underlying image 118
- Result of luma key 118
- Foreground image 118
- Creating a luma key effect 119
- Using the luma key graph 120
- HIGH GAIN 121
- LOW GAIN 121
- LOW CLIP 121
- HIGH CLIP 121
- Creating a mask effect 122
- Creating a mask blur effect 124
- Creating a mask mosaic effect 126
- controls in the Matrox 129
- Creating an old movie effect 130
- Creating a page curl effect 134
- Creating a ripple effect 138
- Creating a shadow effect 140
- Creating a shine effect 142
- Creating a sphere effect 146
- $ Front Face Control 148
- Creating a track matte effect 151
- Creating a twirl effect 153
- Creating a wipe transition 154
- Supported graphics formats 158
- Limitations 158
- Windows Programs 159
- Overview 160
- Before you start rendering 161
- Adobe After Effects 170
- Adobe Photoshop 170
- Autodesk 3ds Max 170
- Autodesk Combustion 170
- NewTek LightWave 3D 171
- Your notes 172
- This chapter explains how to 173
- Displaying system information 174
- Hardware 176
- Error notification 177
- Pulldown 179
- Standard 2:3 pulldown 180
- Advanced 2:3:3:2 pulldown 181
- Video fields @ 29.97 fps 182
- Matrox RT.X2 Workflows 183
- DV-1394 input/output, and 185
- P2 .mxf source files on disk 185
- Working with HD projects 186
- 1440×1080i/p workflow example 187
- 720p workflow example 188
- RT.X2 SD 190
- HD projects 194
- Matrox RT.X2 Customer Support 197
- Getting the most support 198
- Matrox RT.X2 Glossary 199
- Glossary of terms 200
- Numerics 213
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