Matrox Electronic Systems Matrox RT.X2 User Manual Page 144
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Chapter 4, Setting Up Realtime Effects with Adobe Premiere Pro
progresses from black to white and you want your gradient to end at dark
gray, drag the slider to 10%.
•
Noise Use these controls to apply noise patterns to your shine effect.
$ Noise Pattern Allows you to select a noise pattern. Click the button on
the right to see the list of available patterns.
$ Amount Sets the amount of noise that will be applied to your effect. The
higher the value, the more apparent the noise pattern becomes.
$ Size Sets the size of the artifacts in the noise pattern. Drag the slider to
the right to increase the size of the artifacts, or to the left to shrink them.
$ X Progression Sets the progression of the noise pattern along the
horizontal axis.
$ Y Progression Sets the progression of the noise pattern along the vertical
axis.
•
Postprocessing Use these controls to define how your shine colors blend
with your source image’s colors. Each mode involves a calculation that uses
the pixel values from your shine effect and the source image.
$ Mode Use this to select the mode you want to use for blending. Click the
triangle on the right to expand the list.
• None There is no blending, only the shine pixels are displayed.
• Add Adds the source image pixel values to the shine pixel values. This
lightens the effect.
• Modulate Multiplies the shine pixel values with the source image pixel
values. This darkens the effect.
• Subtract Subtracts the source image pixel values from the shine pixel
values to create a new color.
• Add Smooth Blending of the shine pixel values is performed only on
the low saturated (pale) colors from the source image. This will result in
a more subtle effect.
• Add Signed Adds the shine pixel values to the brightest pixel values
of the source image.
• Blend Blends the shine pixel values with the alpha pixel values of the
source image.
• Blend Signed Blends the shine pixel values with the brightest pixel
values of the source image.
$ Original Opacity Sets the opacity of the source image.
Click here to
select a noise
pattern
- Matrox RT.X2 1
- Trademarks 2
- Contents 3
- Introducing Matrox RT.X2 9
- Welcome to Matrox RT.X2 10
- About this manual 11
- Other documentation 12
- Project panel, applying 14
- Adobe Premiere Pro 15
- Explorer 16
- VFW applications 17
- Panasonic P2 folder structure 18
- EZ-HDV AVI > Create 20
- Settings 23
- For Windows XP 25
- Loading project presets 26
- Setting up your scratch disks 27
- Events panel 27
- $ Matrox offline HD clips 28
- 2 Click the General tab 32
- Capture 41
- Project panel 42
- Recompress. This retains the 46
- Movie Start 53
- Setting Up Realtime Effects 57
- Available effects 58
- Premiere Pro 59
- Transforming your clip 60
- Figure 1: Offset at 0,0,0 61
- Figure 2: Offset at 100,0,0 61
- ). Precision Mode is 62
- Cropping your clip 63
- Using Select Crop 64
- Using Select Mask 66
- Using Split View 69
- Live Update 70
- 0 Default end point 71
- 1 Default end point 71
- Adjusting tonal range 73
- Using the color balance graph 74
- Reset Color 75
- Balance button 75
- Shadows 76
- Performing an auto balance 77
- °To perform a color match: 78
- Master 79
- Shadows color map 79
- 0 Input 80
- 1 Input 80
- 2 Output 80
- 3 Output 80
- Using the selective key graph 87
- 0 Hue 1 Aperture 2 Softness 88
- Auto Key affects values 90
- Creating a color pass effect 92
- Creating a 3D DVE effect 93
- • Top Left: Red 97
- • Top Right: Green 97
- • Bottom Left: Blue 97
- • Bottom Right: Orange 97
- Result of chroma key 99
- 3 Aperture 4 Luminance 103
- Creating a cube effect 106
- Creating a crystallize effect 109
- Click here to 110
- Creating a lens flare effect 116
- Underlying image 118
- Result of luma key 118
- Foreground image 118
- Creating a luma key effect 119
- Using the luma key graph 120
- HIGH GAIN 121
- LOW GAIN 121
- LOW CLIP 121
- HIGH CLIP 121
- Creating a mask effect 122
- Creating a mask blur effect 124
- Creating a mask mosaic effect 126
- controls in the Matrox 129
- Creating an old movie effect 130
- Creating a page curl effect 134
- Creating a ripple effect 138
- Creating a shadow effect 140
- Creating a shine effect 142
- Creating a sphere effect 146
- $ Front Face Control 148
- Creating a track matte effect 151
- Creating a twirl effect 153
- Creating a wipe transition 154
- Supported graphics formats 158
- Limitations 158
- Windows Programs 159
- Overview 160
- Before you start rendering 161
- Adobe After Effects 170
- Adobe Photoshop 170
- Autodesk 3ds Max 170
- Autodesk Combustion 170
- NewTek LightWave 3D 171
- Your notes 172
- This chapter explains how to 173
- Displaying system information 174
- Hardware 176
- Error notification 177
- Pulldown 179
- Standard 2:3 pulldown 180
- Advanced 2:3:3:2 pulldown 181
- Video fields @ 29.97 fps 182
- Matrox RT.X2 Workflows 183
- DV-1394 input/output, and 185
- P2 .mxf source files on disk 185
- Working with HD projects 186
- 1440×1080i/p workflow example 187
- 720p workflow example 188
- RT.X2 SD 190
- HD projects 194
- Matrox RT.X2 Customer Support 197
- Getting the most support 198
- Matrox RT.X2 Glossary 199
- Glossary of terms 200
- Numerics 213
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