Matrox Electronic Systems Matrox RT.X2 User Manual Page 68
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Chapter 4, Setting Up Realtime Effects with Adobe Premiere Pro
the clip will remain unchanged. For more information, see “Using Split
View” on page 61.
¡ Important This option is for preview only. You should clear it before you
render your clip, otherwise the split will appear in your video output.
•
Proc Amps The processing amplifier (proc amp) controls allow you to
adjust different aspects of your clip:
$ Hue Adjusts the tint of the colors in the image.
$ Saturation Adjusts the saturation (vividness) of the image’s colors.
$ Contrast Adjusts the difference in luminance between the lightest and
darkest areas of the image.
$ Brightness Adjusts the level of black in the image.
•
RGB Curves Lets you use curves to adjust the red, green, and blue color
channels of your clip individually, or use a master curve to adjust all color
channels simultaneously. For more information, see “Using RGB curves” on
page 63.
•
Color Balance These controls let you adjust the mixture of colors in your
clip.
$ Tonal Range Allows you to fine-tune the tonal ranges of your clip by
reducing the range of pixels included for shadows, midtones, or highlights.
For more information, see “Adjusting tonal range” on page 65.
$ Graphical Allows you to see a graphical representation of your changes
when you adjust the color balance settings. You can also modify most of
the color balance
settings directly within the graph. For more information,
see “Using the color balance graph” on page 66.
$ Numerical Lets you adjust your color balance settings numerically by
entering values in the text boxes, or by dragging the corresponding sliders.
You can adjust the
Hue, Saturation, and Luminance for each tonal range.
• Master (Hue, Saturation, and Luminance) Affects all areas of your
clip from the lightest white to the darkest black.
• Shadows (Hue, Saturation, and Luminance) Affects the darkest
areas of your clip.
• Midtones (Hue, Saturation, and Luminance) Affects the areas with
tones between the darkest and lightest areas of your clip.
• Highlights (Hue, Saturation, and Luminance) Affects the lightest
areas of your clip.
• Luma Mapping
$ Graphical Allows you to see a graphical representation of your changes
when you adjust the luma mapping settings. You can also modify the
- Matrox RT.X2 1
- Trademarks 2
- Contents 3
- Introducing Matrox RT.X2 9
- Welcome to Matrox RT.X2 10
- About this manual 11
- Other documentation 12
- Project panel, applying 14
- Adobe Premiere Pro 15
- Explorer 16
- VFW applications 17
- Panasonic P2 folder structure 18
- EZ-HDV AVI > Create 20
- Settings 23
- For Windows XP 25
- Loading project presets 26
- Setting up your scratch disks 27
- Events panel 27
- $ Matrox offline HD clips 28
- 2 Click the General tab 32
- Capture 41
- Project panel 42
- Recompress. This retains the 46
- Movie Start 53
- Setting Up Realtime Effects 57
- Available effects 58
- Premiere Pro 59
- Transforming your clip 60
- Figure 1: Offset at 0,0,0 61
- Figure 2: Offset at 100,0,0 61
- ). Precision Mode is 62
- Cropping your clip 63
- Using Select Crop 64
- Using Select Mask 66
- Using Split View 69
- Live Update 70
- 0 Default end point 71
- 1 Default end point 71
- Adjusting tonal range 73
- Using the color balance graph 74
- Reset Color 75
- Balance button 75
- Shadows 76
- Performing an auto balance 77
- °To perform a color match: 78
- Master 79
- Shadows color map 79
- 0 Input 80
- 1 Input 80
- 2 Output 80
- 3 Output 80
- Using the selective key graph 87
- 0 Hue 1 Aperture 2 Softness 88
- Auto Key affects values 90
- Creating a color pass effect 92
- Creating a 3D DVE effect 93
- • Top Left: Red 97
- • Top Right: Green 97
- • Bottom Left: Blue 97
- • Bottom Right: Orange 97
- Result of chroma key 99
- 3 Aperture 4 Luminance 103
- Creating a cube effect 106
- Creating a crystallize effect 109
- Click here to 110
- Creating a lens flare effect 116
- Underlying image 118
- Result of luma key 118
- Foreground image 118
- Creating a luma key effect 119
- Using the luma key graph 120
- HIGH GAIN 121
- LOW GAIN 121
- LOW CLIP 121
- HIGH CLIP 121
- Creating a mask effect 122
- Creating a mask blur effect 124
- Creating a mask mosaic effect 126
- controls in the Matrox 129
- Creating an old movie effect 130
- Creating a page curl effect 134
- Creating a ripple effect 138
- Creating a shadow effect 140
- Creating a shine effect 142
- Creating a sphere effect 146
- $ Front Face Control 148
- Creating a track matte effect 151
- Creating a twirl effect 153
- Creating a wipe transition 154
- Supported graphics formats 158
- Limitations 158
- Windows Programs 159
- Overview 160
- Before you start rendering 161
- Adobe After Effects 170
- Adobe Photoshop 170
- Autodesk 3ds Max 170
- Autodesk Combustion 170
- NewTek LightWave 3D 171
- Your notes 172
- This chapter explains how to 173
- Displaying system information 174
- Hardware 176
- Error notification 177
- Pulldown 179
- Standard 2:3 pulldown 180
- Advanced 2:3:3:2 pulldown 181
- Video fields @ 29.97 fps 182
- Matrox RT.X2 Workflows 183
- DV-1394 input/output, and 185
- P2 .mxf source files on disk 185
- Working with HD projects 186
- 1440×1080i/p workflow example 187
- 720p workflow example 188
- RT.X2 SD 190
- HD projects 194
- Matrox RT.X2 Customer Support 197
- Getting the most support 198
- Matrox RT.X2 Glossary 199
- Glossary of terms 200
- Numerics 213
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