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Exporting your sequence to tape
Exporting your sequence to tape
Your Matrox RT.X2 system lets you export your Adobe Premiere Pro sequence to
tape using DV-1394 or RS-422 device control. You can use Matrox DV/HDV
device control to control DV-1394 devices. For RS-422 devices, you can use
Adobe Premiere Pro’s serial device control as explained in your Adobe Premiere
Pro documentation.
Preparing your tapes for recording
To use device control, the tape on which you’ll be recording your material must
contain continuous and consecutive time code. You can stripe your entire tape
with time code by recording black video for the duration of the tape.
¦NoteThe format of your DV tape must match the format you’re recording. For
example, if you set your DV-1394 device to record in DV/DVCAM format, your
tape must be striped entirely in DV/DVCAM format. Mixed format tapes are not
supported.
Avoiding missing frames when exporting to DV
tape
When performing an export to tape on some DV-1394 devices, a delay may occur
between the time the device starts recording and the time that Adobe Premiere
Pro starts to play back your project. This may result in the first video frames of
your project not being recorded to tape. To ensure that your export to DV tape
does not miss any frames, you can delay the playback of the project that you are
exporting.
To do this, you will need to do a test export with your DV-1394 device to
determine the number of frames that are missing from the start of your project on
the DV tape. In the Adobe Premiere Pro
E xp or t To Tap e dialog box, select
Delay Movie Start and enter the number of frames you’ve determined are
missing from your project multiplied by 4 (to convert the value to quarter
frames). If needed, adjust this amount until you obtain a frame-accurate or near
frame-accurate export to tape.
¦NoteIf your exported video is frame-accurate, but you’re missing audio at the
start of your project on the DV tape, simply add a few frames of black and silence
at the start of the sequence. If you do this, you may not need to use the
Delay
Movie Start
.
- Matrox RT.X2 1
- Trademarks 2
- Contents 3
- Introducing Matrox RT.X2 9
- Welcome to Matrox RT.X2 10
- About this manual 11
- Other documentation 12
- Project panel, applying 14
- Adobe Premiere Pro 15
- Explorer 16
- VFW applications 17
- Panasonic P2 folder structure 18
- EZ-HDV AVI > Create 20
- Settings 23
- For Windows XP 25
- Loading project presets 26
- Setting up your scratch disks 27
- Events panel 27
- $ Matrox offline HD clips 28
- 2 Click the General tab 32
- Capture 41
- Project panel 42
- Recompress. This retains the 46
- Movie Start 53
- Setting Up Realtime Effects 57
- Available effects 58
- Premiere Pro 59
- Transforming your clip 60
- Figure 1: Offset at 0,0,0 61
- Figure 2: Offset at 100,0,0 61
- ). Precision Mode is 62
- Cropping your clip 63
- Using Select Crop 64
- Using Select Mask 66
- Using Split View 69
- Live Update 70
- 0 Default end point 71
- 1 Default end point 71
- Adjusting tonal range 73
- Using the color balance graph 74
- Reset Color 75
- Balance button 75
- Shadows 76
- Performing an auto balance 77
- °To perform a color match: 78
- Master 79
- Shadows color map 79
- 0 Input 80
- 1 Input 80
- 2 Output 80
- 3 Output 80
- Using the selective key graph 87
- 0 Hue 1 Aperture 2 Softness 88
- Auto Key affects values 90
- Creating a color pass effect 92
- Creating a 3D DVE effect 93
- • Top Left: Red 97
- • Top Right: Green 97
- • Bottom Left: Blue 97
- • Bottom Right: Orange 97
- Result of chroma key 99
- 3 Aperture 4 Luminance 103
- Creating a cube effect 106
- Creating a crystallize effect 109
- Click here to 110
- Creating a lens flare effect 116
- Underlying image 118
- Result of luma key 118
- Foreground image 118
- Creating a luma key effect 119
- Using the luma key graph 120
- HIGH GAIN 121
- LOW GAIN 121
- LOW CLIP 121
- HIGH CLIP 121
- Creating a mask effect 122
- Creating a mask blur effect 124
- Creating a mask mosaic effect 126
- controls in the Matrox 129
- Creating an old movie effect 130
- Creating a page curl effect 134
- Creating a ripple effect 138
- Creating a shadow effect 140
- Creating a shine effect 142
- Creating a sphere effect 146
- $ Front Face Control 148
- Creating a track matte effect 151
- Creating a twirl effect 153
- Creating a wipe transition 154
- Supported graphics formats 158
- Limitations 158
- Windows Programs 159
- Overview 160
- Before you start rendering 161
- Adobe After Effects 170
- Adobe Photoshop 170
- Autodesk 3ds Max 170
- Autodesk Combustion 170
- NewTek LightWave 3D 171
- Your notes 172
- This chapter explains how to 173
- Displaying system information 174
- Hardware 176
- Error notification 177
- Pulldown 179
- Standard 2:3 pulldown 180
- Advanced 2:3:3:2 pulldown 181
- Video fields @ 29.97 fps 182
- Matrox RT.X2 Workflows 183
- DV-1394 input/output, and 185
- P2 .mxf source files on disk 185
- Working with HD projects 186
- 1440×1080i/p workflow example 187
- 720p workflow example 188
- RT.X2 SD 190
- HD projects 194
- Matrox RT.X2 Customer Support 197
- Getting the most support 198
- Matrox RT.X2 Glossary 199
- Glossary of terms 200
- Numerics 213
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